First Entry in years

I have not made an entry since 2016. When I created the blog, I made a mistake in allowing comments without some sort of a filter. The comments rolled in, and in, and in, and in. Tens of thousands of them. You do not want to know what some of them were suggesting! I had not realized the spam that blog authors can receive.

I ended up just ignoring the blog and the website. Puzzles I made were for sale on the Etsy site. My email contact information was available on this website for those that wanted a custom puzzle. It all worked for the few puzzles I was cutting.

Now, however, I want to update what is here and available! I want to leave some blog entries on the things I have done, and my experiences as I cut more puzzles.

That put me online with IT support from the hosting site for quite some time. Software was out of date and other issues exited as well. This is a test entry to see if I can make a new entry. If so, great! I hope to be able to make some useful updates over the next few weeks. If not, I guess I’ll be back with the IT people trying to get it working!

Cheers!

Bob

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Finished Oak Leaf

The oak leaf puzzle is completed!  It came to 180 pieces.  That does not sound like a lot, but this is one tough puzzle!  I assembled this one myself just to see how it went.  The complex leaf outline combined with the consistent color makes it very challenging for its size.

Before I talk more about cutting this puzzle, I have to tell on myself.  As I was reviewing photos for this blog entry, I had to laugh when I found this one.  When I started this puzzle and realized I was going to have to do a little bit of gluing on the tips of the leaf, I looked and looked, but could not find my glue bottle.  Up the house I went to get a different bottle of glue.  So, I brought down the bottle of red labeled Titebond.  Look at this picture.  What do you see?

Glue bottles

Glue bottles

Yep, right there on the blue shelf, about 24 inches from my nose, upside down so the glue is ready to come out of the spout, is the missing bottle of glue!  I think I looked for 15 minutes for that thing!  Oh, well.  At least I know where it is now.

On my last entry, I had completed cutting 29 pieces.  This weekend, I finished the bottom half of the puzzle, and then cut the top half into half again.  Once again, this is to minimize handling damage while cutting the puzzle.

Top cut off

Top cut off

The middle piece kind of looks like a bat!  I also cut the tips off of the bat wings before finishing up.

Bat wings tipped

Bat wings tipped

I know I am making a big deal about minimizing handling damage, but here is a picture of what the concern is.

Fragile tip

Fragile tip

You can see the very pointy tip of the leaf is looking a little fragile.  Alternating layers of the plywood have broken away.  On this piece, I had to re cut the leaf tip to fix this.

I finished cutting the puzzle on Saturday and sanded the back before bringing it up to the house.  I could not resist and decided to assemble the picture myself.  It is only 180 pieces and should only take an hour or so, right?!?

Here is the pile of pieces after counting.

Pile of pieces

Pile of pieces

Some assembly pictures:

Assembling

Assembling – 3 hours in to it!

 

Assembling

Assembling – 4.5 hours

 

Assembling - now with help of a picture

Assembling – now with help of a picture!

At this point, in the interest of getting this assembled in a timely manner, I looked at the computer image to start lining things up!  This is not an easy puzzle to assemble without the picture.

Starting to look like a leaf

Starting to look like a leaf

 

Finished!

Finished!

 

Backside of puzzle

Backside of puzzle

You may have noticed there is not a frog piece.  Instead, I signed and dated the stem.

This puzzle will be listed on my Etsy shop FiveFrogsWoodworking.

Thanks for reading!

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Oak Leaf (Part 1)

Here is the start of my latest project.  I have been enjoying the fall colors.  Our pin oak in the back yard had some beautiful color to it.  I selected one of the leaves and scanned and printed it out on a 13″ x 19″ print.  The scanner picks up some amazing detail.

Oak Leaf in Fall Colors

Oak Leaf in Fall Colors

If you zoom in on the photo, you will notice the tips end in some very delicate whiskers.  When you look at the cut puzzle, it does not have those!  They would be too fragile.  I just cut the leaf tips out to a point, and even those are proving to be a little problematic.  Here is the leaf cut out of the background.

Cut out leaf

Cut out leaf

You will notice a couple of items.  A color change and it is not as clear.  The first picture was taken in the house under incandescent lighting using a Pentax SLR digital camera.  I manipulated the photo a bit with Adobe Photoshop Elements for some clarity, but it is a much better picture and is closer to the true color.  The second picture was taken down in the shop with  my cell phone camera under fluorescent lighting.  The picture is not nearly as clear and looks more purple.  The next sets of pictures below were taken with the camera on my tablet in the shop under fluorescent lighting and are better than the cell phone pictures.  All cameras are not the same.

Here is the puzzle cut in half.  I cut it in half for a couple of reasons.  One is that it is easier to handle as you are spinning the image around to make the cuts.  The second is that it reduces the amount that the same piece of puzzle gets handled, which leads to less wear and tear on it.

Leaf Cut in Half

Leaf Cut in Half

This is the same picture, but cropped and zoomed in on some of the tips of the leaf.

Tips of the leaf

Tips of the leaf

You may notice that the whiskers are not there.  You can also see how sharp of a point they come to.  Those points are fragile and tend to be a problem point while cutting.  I have to be sure and hold the puzzle by some of the straighter edges to prevent damaging the tips.  In some cases, the print either lifts from the wood (rare now that I am using the dry mount press) or else the paper begins to de-laminate (this will be the topic of another post on another day).  When that happens, I apply a small dab of white glue under the surface of the print, pinch it together, and wipe off the excess glue.  I then place the piece on the work bench face down and put a weight on top of it for about 30 minutes to let it dry.  The less often I have to do that, the better!

I started this project a couple of days ago, and have not gotten back to it.  So far, there are 29 pieces cut.  I expect this puzzle will have between 120 and 150 pieces when complete.  It is hard to judge odd ball shapes like this one.

29 Pieces Cut So Far

29 Pieces Cut So Far

In the background, you can see my bottle of glue.  Right next to it are a couple of engineering squares that I am using for the weight while the glue dries.  My stack of new blades is also sitting there.  There is also a flip cell phone, but not the one I used to take pictures.  It is odd, but my “good” cell phone does not get any reception in the shop.  The cheap $5 flip phone in this picture gets great reception.  So, it has become the shop phone.

I hope to get this puzzle done this week.  I would like to get it listed on Etsy by the weekend.  I have listed a few of my puzzles for sale on that website recently.  I have also cut out another one of the eggplant flower puzzles that I need to get photographed and listed.  The listings on Etsy are going up for a couple of weeks, but will come down in early November, as I will be unable to respond to sales.  They will be listed again after the Thanksgiving holiday in time for Christmas shoppers.

Feel free to leave any comments and feedback in the boxes below about either my puzzles or my website.  Also, be aware that many of the pictures above are thumbnails and can be clicked on for closer review.

Happy puzzling!

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Preparing and mounting the Print

When I started this blog a year or so ago, I stated that one of the things I would be writing about is the process I use and why I use it.  This entry is to explain the method I use for mounting the prints to the backing material.  It is obviously not the only way to do it, but it is the way I have found that works for me.

When I first started making puzzles for my grandmother, I used spray glue in a can.  I have used several varieties and they all seem to work about the same.  That means that if you follow the directions and the timing exactly to the letter, it mostly works.  But, I found that if you wait too long after spraying to affix the image, the glue had lost some of its tackiness and I would have problems with the print peeling from the wood after it was cut.

I experimented with spraying both the back of the image and the plywood, but experienced some problems with excess glue pockets.  Feeling frustrated, I decided to actually go to the library and maybe learn something from the knowledge of others.  What a concept, right?!?

I found an excellent book that was more directed towards picture framers and art museums.  It had a lot of great information that directly applied to me, and a bunch of useful background.  Some concepts that stuck with me:

  • Surface preparation is key – the surface has to be smooth and void free
  • Moisture is bad – if you try to glue two impermeable surfaces together, there is no where for moisture to go.  The print is basically plastic, so any moisture has to go in the other direction towards the wood.  If the wood has a finish on it, there is nowhere for the moisture to go and you have problems
  • Ink jet prints can start to melt and the ink runs together if heated over about 220 degrees –  high temperature processes will not work
  • Dry mount presses are relatively easy to work with.  Vacuum presses are awesome, but expensive.

I found a used dry mount press at a reasonable price on eBay, ordered some different types of adhesives from B&H Photo, and have not looked back.  I am still learning, but I am having almost zero instances of the print peeling up from the backing material.  The only time I currently have an issue is if I have a very sharp “tip” on the puzzle piece, like the very pointed end of a leaf for example.

Surface Preparation – This all begins with the wood.  In my case, I am using primarily 1/4″ Baltic Birch plywood.  It has five plies of wood which makes it strong enough to withstand the jigsaw cutting.  There are other woods available in other geographic locations, but I have not found them where I am located.  Shipping for some of the exotics would be expensive, so I am so far sticking with the Baltic Birch.  I do have some 9 ply 1/2″ plywood in maple, but it is harder to work with.  The 1/2″ thick plywood certainly provides a different feel to the puzzle pieces.

The Baltic Birch comes in sheets that are 5 feet by 5 feet.  I cut those down to size using a table saw.  I make them a little oversize for my prints, which are either 8 1/2″ x 11″ or 13″ x 19″.  Once I have them cut to size, I dedicate an afternoon to sanding.  I use a random orbital sander and work my way up through 22o grit.  The last time I did this, I cut up two sheets into 39 puzzle blanks.  It took me over 4 hours to sand both sides of all 39 blanks and I used 15 sanding discs.

So now you have a blank and a printed image.  What next?

I use a Seal dry mount press to glue the image to the plywood blank. This is a mechanical press that uses a cam lock mechanism to provide clamping pressure at the same time it heats whatever is being pressed in it.  You need to heat it up enough to cause the adhesive to activate, but not so hot that it melts the ink jet print.  As I mentioned earlier, ink jet inks can melt and run together if you heat them over about 225 degrees.  I have not experienced this problem, but read about it in the afore mentioned book.

The “glue” is an adhesive that is available in rolls or sheets.  I have two types of adhesive. One is Dry Lam Colortac Dry Mounting Tissue.  It is a tissue paper like material that has adhesive impregnated in the tissue.  I thought this was going to be my adhesive of choice, because the minimum required temperature is only 165 degrees.  I used it on one puzzle, and had many problems with the print peeling up.  I have used it to mount some prints to foam board for framing, and it works great.  It just did not stand up to being cut in funny little shapes.  I plan to attempt another puzzle using this material but at a higher temperature to see if it works better.  In the meantime, I have been using a different product that works great.

That second product I have is Fusion 4000 Dry Mount Adhesive.  This is a roll of a thin film that is 100% acid free.  The entire film melts in the heating process and bonds as it cools.  This product works great for me.  The temperature range called for is 170 – 180 degrees, but I have actually used 190 degrees on the last couple of puzzles with no problems.  On the other hand, who knows how accurate the temperature gauge is on the press?  Next time I will try to remember to stick a temperature probe in the press to see if the gauge is close.

Here is a picture of the dry mount press.

Dry Mount Press (closed)

Dry Mount Press (closed)

The press is closed in this picture.  The grey handle in front is lifted up and the entire top of the press opens up for access.  On the black bar on top are two knurled adjusting knobs.  These are used to adjust the clamping pressure and/or to accommodate different thickness of material.  The white rocker switch is the on/off switch.  In the center of the grey area is the temperature gauge and the temperature adjustment knob.  This press is fairly heavy.  When you open it up, you can see it has two steel plates with foam pads that the “sandwich” of material gets pressed between.

The other tools needed are a cutting mat, a ruler, a razor, and a tacking iron.

Tacking iron

Tacking iron

The tacking iron is just a small, hand-held iron that is used to tack the adhesive to the print to keep it aligned while loading the dry mount press.  Mine is not actually an official picture mounting tacking iron.  This one is used for applying tissue material to model airplanes.  The major difference is that this one has a flat bottom iron.  Picture framing irons have a rounded bottom to minimize the amount of contact.  This one was about half the price and works just as well.

I start by warming up the press and the tacking iron.  Once the press is warmed up, I place the bare piece of wood in the press to preheat it while I prepare the sheet of adhesive.  I place the wood into a brown paper grocery bag to do this.  The brown paper grocery bag absorbs any moisture that is driven out of the wood.  I have discovered this step is crucial to ensure good adhesion to the plywood.  If I do not preheat the wood, I have problems with peeling.  This is another reason I need to retry the dry mount tissue, as I did not preheat the wood the one time I used it.

Roll of adhesive and cutting mat

Roll of adhesive and cutting mat

Now you cut a piece of adhesive to size.  I “borrowed” a quilter’s cutting mat from my wife.  It works great because you can see the dimensions through the film when you are cutting.

Tacking adhesive to the print

Tacking adhesive to the print

Place the print face down on a flat surface.  Align the sheet of adhesive to the print.  Now use the tacking iron just on the corner of the stack.  A proper tacking iron with a rounded bottom would probably actually work better, but this one works fine.  The piece of white paper in my hand is a silicone release paper that goes between the tacking iron and the adhesive.  If you did not use it, the adhesive would immediately ball up on the iron and you would have a real mess.

Print placed on the plywood

Print placed on the plywood

Next, take the preheated plywood out of the press and the paper bag (close the press to keep it warm!).  Align the print and adhesive on top of the wood.  The corner I just tacked is in the upper left.

Tacking adhesive to plywood

Tacking adhesive to plywood

Carefully roll back the edge of the print and tack the bottom right corner of the adhesive to the plywood.

Loading the press

Loading the press

Load the press!  Five pieces of material go in.  On the bottom is a large piece of silicon release paper. Next is the plywood, adhesive, and print.  On top goes a second large sheet of silicon release paper. Close the press and clamp it down.  Watch the clock for four minutes and remove the mounted print.

Cooling under weight

Cooling under weight

Place it face down on a clean flat surface, and load it up with books.  Leave it over night, and you are done!  It is ready to go to the shop.

So there you have it!  My process for mounting prints to plywood.  I am sure there are many other methods in use, but this is what I have developed and works for me.

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Inspiration in Unexpected Places

Last spring, I was wandering around a community wide yard sale.  I discovered a local artist who makes beautiful watercolor paintings.  She had several that caught my eye.  One in particular jumped off the wall at me as an ideal puzzle subject!  So, I bought it and obtained permission to use prints of it for my puzzles.  The painting is of a flower.  But, she did not stop there.  The finished puzzle was cut into strips, and then the strips were woven together and framed.

Water color of flower

Barbara Hoisington Water color painting of flower

I removed the painting from the frame, scanned it, printed it, and mounted it to a board.  When trimmed up, the puzzle was 11 7/8″ tall and 15 7/8″ wide.  After cutting, the number of pieces came out to 497.  This is a interesting puzzle, as I cut several of the internal edges as straight edges.  This will be not be easily assembled by starting with edge pieces!

Some of the internal straight edges are shown. Others are not

Some of the internal straight edges are shown. Others are not

Here is the pile of pieces before assembly

Pile of pieces to start. Pen and fingers for size comparison

Pile of pieces to start. Pen and fingers for size comparison

 

 

Pieces spread out to begin

Pieces spread out to begin

 

I started with the greens and blues

I started with the greens and dark blues

 

Then I moved to the reds

Then I moved to the reds

 

Then came the light blues

Then came the light blues

 

Then came the rest

Then came the rest

 

The backside of the puzzle

The backside of the puzzle

 

So, something a little unique.  It is a fun puzzle, but not one to just begin with the edge pieces first!

 

 

 

 

 

 

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Birds and Flowers of Spring and Summer – Final

The puzzle is cut and shipped off to its new owner!  This is the most complex and challenging puzzle I have cut to date.  732 pieces total, for an average of 2.15 pieces per square inch.  When I am done cutting a puzzle, I flip it over intact and sand it to remove all the little wooden “whiskers” that are created. Once it is sanded, I take it apart and count it.  Twice.  If the two counts come out different, I count a third time.  After the counting is done, I bring it to the house where I reassemble it in controlled lighting and take pictures.

With a puzzle of this size, I have discovered that is a little impractical, as it consumes too much of my time to reassemble it.  This one took me approximately 10 hours to reassemble, and that was after “cheating” by using a copy of the image for about a half hour.

Done cutting!

Done cutting! Picture taken in fluorescent shop lighting.

 

Back of freshly cut puzzle before it is sanded.

Back of freshly cut puzzle before it is sanded.

 

Pile of pieces ! 732 of them.

Pile of pieces ! 732 of them.

 

Border pieced together after two hours.

Border pieced together after two hours.

 

5 hours into assembly.

5 hours into assembly.

Just before this point, I realized I needed to get moving on this puzzle so I can start cutting the next order.  So, I used another print of the puzzle to help me determine where the vertical panel line pieces went.  I would not have done that if I was assembling this puzzle for my own enjoyment.  So, after “cheating”, this is where I was at the 5 hour point.  I did not use the copy of the image again after this.

Roughly 9 hours into assembly

Roughly 9 hours into assembly

 

9 hours and 57 minutes!

9 hours and 57 minutes!

 

Signature frog with other figures

Signature frog with other figures

 

Backside of puzzle - sanded this time

Backside of puzzle – sanded this time

 

Finished puzzle

Finished puzzle

So, it is completed!  A fun and challenging puzzle to cut, and to assemble!  I have three more puzzles I can cut from this project.  I have the two smaller puzzles that will be comprised of the center two panels that were left over from the double stack cut, and I have the rejected broken puzzle that I can attempt to fix.

But, first, a request for the eggplant flower.  It will be larger than the test one I completed earlier.  It is printed and mounted and ready to cut!  The shop awaits.

 

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Birds and Flowers of Spring and Summer – Part 2

This post should have come much sooner than this, but I ran into some difficulty.  Actually, through my clumsiness, I broke the first puzzle and had to start over!

I had contacted the customer about the color variation between the two prints, and she was willing to accept it as is. So back to the shop I went to start cutting pieces out.  One of the panels was precariously balanced on my saw table, and in an inattentive moment, it fell crashing to the floor. On the way down, it hit an obstacle or two.  One of the tabs broke off and one of the corners of the puzzle was fairly scratched up.

Scraped up corner

Scraped up corner

Broken tab

Broken tab

Side view of broken ply

Side view of broken ply

 

 

 

 

 

 

 

After a 10 minute search of the floor, I found the broken tab and glued it back in place, but the result left a lot to be desired.  There is no way I could try to pass this off as satisfactory.   There are actions I could have taken to salvage this puzzle.  I could have cut off the border, or I could have made an irregular border.  I may still do that at a later date and make a second puzzle, but my sense of craftsmanship would not let me do that.  This puzzle is a first for me with respect to the size and the technique, and I want it done right, the way I intended it to be cut.

Time to start over.  Overall, it was not as bad as it could have been.  I had not really started cutting any pieces out other than the cuts to separate the panels into pieces.  When stuff like this happens, I am better off if I walk away for a half day to ponder my actions.

The long delay came because of the weather.  I printed two new images, but when I went to mount them, I discovered my inventory of plywood backing in this size was lacking.  We had a week of pretty heavy rain, and I did not want to run to the store with my open pickup truck and bring wood home in the rain.  Once the rain stopped and I had a free morning to run to Windsor Plywood, I was back in business.  Since I had some color mismatch on the first set of prints, I replaced the ink cartridges in the printer and obtained much better results.

Better color match. Slight difference in picture is due to lighting and wood angle

Better color match. Slight difference in picture is due to lighting and wood angle

Alignment of the images in the second set of pictures was as good as the first set.

Example of alignment of the merged images

Example of alignment of the merged images

So, on to cutting!  At the halfway point, my rough count was 391 pieces.

Halfway done cutting

Halfway done cutting

The puzzle is now 5/6 of the way cut, and my rough count of pieces so far is 615.

Five Sixths of the way done

Five Sixths of the way done

Backside view

Backside view – unsanded, so it looks rough

 

Backside with car keys for size comparison

Backside with car keys for size comparison

One more solid day of cutting and I should be done.  Then it will be ready for sanding.  After it is sanded, I will count the number of pieces and box it.  At that point, it goes to the house to be assembled and photographed in better lighting.

 

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Birds and Flowers of Spring and Summer – Part 1

A customer asked for a custom puzzle, but it is not a standard sized puzzle.  The image is in the public domain and is available on Wiki Media Commons.  The artist is Kano Eino and he lived in the last half of the 17th century.  The original piece is roughly 60″ tall and 142″ wide.  It was painted on six panels that are connected together.  When you translate those dimensions to standard printer paper sizes, it would be a oddball sized puzzle.  For example, on an 8 x 10, it would only be 4.2″ tall.  On a 13 x 19 print, it would be 8″ tall and 19″ wide.

So, my challenge is to print it on two sheets of paper and merge the two pieces together in the puzzle cutting process.  I decided to print it on 2 sheets of 13 x 19 paper, with a goal of a finished puzzle being roughly 13″ tall and 30″ wide.  The left three panels would be on one image, and the right three panels would be on a second image.

Unusual sized jigsaw puzzle

Unusual sized jigsaw puzzle

 

 

 

The two prints stacked up

The two prints stacked up

 

 

 

 

 

 

When I printed the pictures, I added “truth marks” where I wanted the images to be joined.  These are to help me position the images when I double stack cut them to ensure perfect alignment.

Top truth mark

Top truth mark

Bottom truth mark

Bottom truth mark

 

 

 

 

 

 

 

I first cut my two mounted images into two pieces to make them more manageable.

The Two Prints Cut in Halves

The Two Prints Cut in Halves

Pieces stacked for visualizing end product

Pieces stacked for visualizing end product

 

 

 

 

 

 

 

 

 

I next made cutouts in the piece that was to be placed on top.  The cutouts were to allow me to see my “truth marks” to align the pieces for cutting.

Bottom Cutout

Bottom Cutout

Top Cutout

Top Cutout

 

 

 

 

 

 

I stacked the two pieces, looking at 6 locations for perfect alignment:  the two truth marks and the four corners:

Top truth mark alignment

Top truth mark alignment

Bottom truth mark alignment

Bottom truth mark alignment

 

 

 

 

 

 

Corner alignment

Corner alignment

Another corner alignment

Another corner alignment

 

 

 

 

 

 

Now it is time to carefully glue the edges with a hot melt glue gun while maintaining the 6 alignment points in exact position:

Glue gun warming up

Glue gun warming up

Edge glued, ready for cutting

Edge glued, ready for cutting

 

 

 

 

 

 

The point we have been building up to:  cutting the double stack to merge the two images together:

Cutting on the saw

Cutting on the saw

Another view of cutting

Another view of cutting

 

 

 

 

 

 

 

Once the assembly is cut in two pieces, it is time to trim all the edges and get rid of the glue and excess borders.  I like to use a straight piece of scrap wood as a guide when cutting straight lines.  Cutting straight lines freehand can be a little difficult.  It leads to wavy edges instead of straight edges.

Trimming the edges

Trimming the edges

 

Now we have one large puzzle, ready for cutting!

Merged panels ready for cutting

Merged panels ready for cutting

Using the truth marks and the four corners made for perfect alignment of the merged images!  Unfortunately, my Epson printer did not manage to maintain a perfect color match from image to image.  These photos show a little bit of color variation.  The pictures make the variation look worse than it actually is.  I did not even initially notice it, but my daughter pointed it out to me.  Must be a difference in the age of our eyes!

Perfect alignment, but some color variation

Perfect alignment, but some color variation

Another view of color variation

Another view of color variation

 

 

 

 

 

 

 

An added bonus is that the two pieces of waste material also fit together, and can be used to make a smaller puzzle!

Waste pieces are the center two panels of the painting.

Waste pieces are the center two panels of the painting.

 

The final size of the combined images after trimming is 27 3/4″ wide by 12 1/4″ tall.  The goal is to have about 650 pieces.

I will post more on this puzzle as I move forward.  I need to contact the customer about the color shade variation.

 

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First International Sale

I had my first international sale today!  Until now, I had limited sales to U.S. addresses only.  I was not ready to tackle the shipping process.  It turned out not to be all that bad.  You can accomplish most of it on-line.

The U.S. Post Office has a decent website that is mostly self explanatory.  If you want to pay on-line and print your own shipping label, you need to sign up for an account.  Once you have an account and are signed in, you walk step by step through the process.

  1. Select a destination
  2. Declare an item value
  3. Pick a mailing date
  4. Select a package type – USPS provided or self provided
  5. Enter the package weight
  6.  Enter a shipping option – anything priority is pretty pricey!
  7. Complete a customs form and print it
    • You do need to read the long list of things you cannot ship.  It is a composite list of things that the U.S. government does not allow to be shipped out of country, and things the recipient’s country does not allow in.
  8. Pay for the shipping and print your label
  9. Attach the label
  10. Take the package, the customs form, and the bar code sheet that prints out the post office
  11. They scan the bar code, review the customs form and attach it to the package, and you are done!

I found it interesting that by doing this on line, you save a couple of bucks.  My package was 2 pounds even.  The “list price” for shipping to Great Britain was $25.75.  The on-line cost was $23.18.  And, I was able to pay with PayPal.  The customer had paid for the puzzle and shipping via PayPal and I was able to transfer some of that money directly from the PayPal account to the post office.

Pretty easy process overall.

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Eggplant puzzle

Almost everyone groans when they hear about the zucchini planted in the garden.  Those things produce incredible amounts of produce.  But did you know that eggplant is almost in the same category?  We had one plant in our garden this year, and it was really impressive the amount of fruits produced.  One day, I was looking at a pile of the things, and inspiration hit me!  A puzzle!

I started by just looking at one fruit.

One fruit

 

That was kind of boring.  But then, I arranged five of them in a pattern, and it looked like a flower.

Uncut

 

I took a picture and then started getting ready to print it out.  I realized that this might be a good opportunity to finally practice a double stack cut so that some of the pieces could be interchangeable and perhaps make the puzzle more challenging.  I did not get a picture while cutting, but I was able to stack two of the fruits together and cut out some pieces from both at the same time.  It is not a perfect trick, as the color variations are a dead give away.  However, it has since been assembled three different times by three different people, and all three of us put pieces in the wrong place!  If you look closely at the last couple of pictures in the sequence below, you can see that a couple of pieces are in place that the color just is not right.

Here are some pictures of one of the assemblies.  The colors are a little off.  I am still working on perfecting my photography. (To see a larger picture, click on the thumbnail.)

Ready to assemble

Ready to assemble

 

In progress

In progress

 

In progress

In progress

 

In progress

In progress

 

Almost done

Almost done

 

Done!

Done!

 

It may be hard to see in the pictures, but there are some drop outs where the fruits come together at the stems.  And you have hopefully picked up on the fact that this is not a square or rectangular puzzle.  There is not a single straight line anywhere.  The puzzle was cutout along the edge of the fruits.

Here is a close up of one of the stack cuts.  Two different fruits, but you can see that a portion of them is cut the same.

First set of stack cuts

First set of stack cuts

First set assembled wrong

First set assembled wrong

 

So there you have it.  An eggplant flower puzzle.

Post Script 2 weeks later.

I took the puzzle to work for my co-workers to mess with.  They assembled it on the break room table, but initially could not get all the pieces in!  So, my first official trick puzzle.

Pieces will not fit!

Pieces will not fit!

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